withoutyourwalls:

Shawne Major, Budsport, 2008

vmagazine:

The Interiors of Wes Anderson’ in the latest issue of Apartamento #13

“You could compare Wes Anderson to an interior decorator,”says  Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.”  

h/t nowness

senselessromance:

Léa Seydoux, 

Une femme magnifique

I’m never posting one of those ask things again

thelemongrove:

Annie Clark, St. Vincent

Photographed by Winnie Au

bellaisbadatmath:

fleurlungs:

“Life’s too short to drink crappy coffee and cry over boys who don’t care.”

— Matty Healy (The 1975)

image

gillesboncourt:

La campagne à Paris, la Butte aux Cailles 13ème

digitalwitnesss:

28.7.14
people showed up almost uninvited but it was ok.
we watched shrek

enjoy yourself

celebration

xoxo

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